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Emanuel Cederqvist - The Ditch
Emanuel Cederqvist - The Ditch
Emanuel Cederqvist - The Ditch - 2
Emanuel Cederqvist - The Ditch - 3

Emanuel Cederqvist - The Ditch

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The Ditch recounts the story of a forgotten defence line built on Öland, a small island on the east coast of Sweden, during the Second World War.
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    • AuthorEmanuel Cederqvist
    • BindingHard cover
    • Co-workersEva-Teréz Gölin, Joel Nordqvist
    • Dimensions197x237x12
    • Edition1
    • ISBN9789198584455
    • LanguageSwedish English
    • LayoutEmanuel Cederqvist, Eric Palmér
    • Numbers600
    • Pages80
    • PhotographerEmanuel Cederqvist
    • Printed byGöteborgstryckeriet
    • Published Year2021
    • PublisherBlackbook Publications
    • TitleThe Ditch
    • TranslationJoel Nordqvist
    • Weight457

    Description

    Article no.: 9789198584455

    The Ditch recounts the story of a forgotten defence line built on Öland, a small island on the east coast of Sweden, during the Second World War. The line was intended to act as an obstacle for tanks, splitting the island into two parts near the village of Föra. In the book, Cederqvist’s images are combined with documentary material from the Swedish War Archive, records which remained classified until the 1980’s.

    Work on the defence line was based on a number of strange assumptions and it was not long before things started to go wrong: the ground swallowed more water than planned, the pump was undersized and costs skyrocketed. Eventually, the leader of the project, Raoul Thörnberg, was court-martialed. The so-called ‘Föralinjen’ came to represent a notable failure for the Swedish military, and something they would prefer to forget. Traces of the project – reminiscent of an abandoned piece of land art – remain visible in the landscape.
    On the map, the ditch can be seen as a clear line stretching from coast to coast, though navigating the entire length on foot is almost impossible due to impenetrable vegetation. Gaining an understanding or overview of the project on site is difficult, though the mass of compressed history - in the form of soil, rock and vegetation - is to some extent visible to those who know where to look.

    The Ditch is Cederqvist’s fourth photobook, and like his previous work is based on an interest in how we interpret and read the forms of the landscape in the light of our own memories, experiences and common cultural heritage.
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